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Trench Songs

by The Fugitives

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    This album is bundled with a ticket to stream our new performance film, 'Ridge' ($10 value), chosen as one of the Globe & Mail's Best of 2020! And you will also receive a PDF of our album art and lyric booklet, designed by Rose Broadbent.
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1.
Dead Leaves (Lyrics from ‘Before the Charge’ by Patrick MacGill) Dead leaves float in the sighing air The darkness moves like a curtain drawn A veil which the morning sun will tear From the face of death we charge at dawn
2.
Hanging on the Old Barbed Wire (Traditional) If you want to find the general I know where he is He's pinning another medal on his chest I saw him, I saw him, pin another medal on his chest If you want to find the colonel I know where he is He's sitting there stuffing his gut I saw him, I saw him, sitting there stuffing his gut I saw him, I saw him I saw him, I saw him I saw him, I saw him Sitting there stuffing his gut You wanna find the politicians, I know where they are They’re drinking brandy at the bar I saw them, I saw them, drinking brandy at the bar I saw them, I saw them I saw them, I saw them I saw them, I saw them Drinking brandy at the bar If you want to find the private I know where he is He's hanging on the old barbed wire I saw him, I saw him, hanging on the old barbed wire I saw him, I saw him I saw him, I saw him I saw him, I saw him
3.
4.
Take Me Back to Old Ontario (Lyrics by Frank E. Balson) In a far and foreign land, lay a wounded soldier boy He was fighting for a flag he thought was right And as he lay there dying, his comrades gathered near To listen to the last words that he’d say He raised himself on his arm and looked off toward the West And watched the setting sun fade fast away Then as he lay back on the ground a tear bedimmed his eye And those who gathered ‘round him heard him say Take me back to old Ontario where the sun does ever shine Where the tall and stately maples rear their branches to the sky Take me back to old Ontario, where my dear old Mother lies Take me back to old Ontario, lay me by my Mother’s side It was in a southern city, where the streets were paved & hard A ragged newsboy trudged from day to day His cheeks were thin and pale, and his head was tired and hot And his thoughts were of his old home far away. He dropped down on the doorstep and he there fell fast asleep In dreamland then he wandered back again And as a passerby drew near, he stopped to watch the lad And heard him whisper faintly this refrain. Take me back to old Ontario where the sun does ever shine Where the tall and stately maples rear their branches to the sky Take me back to old Ontario, where my dear old Mother lies Take me back to old Ontario, lay me by my Mother’s side Take me back, take me back Take me back, take me back Take me back to old Ontario Lay me by my Mother’s side
5.
(Hymn 43) 01:04
Hymn 43 (Lyrics by Horatio Spafford) When peace like a river attendeth my way When sorrows like sea-billows roll Whatever my lot, Thou hast taught me to say ‘It is well, it is well with my soul' It is well, it is well It is well, it is well with my soul It is well, it is well It is well, it is well with my soul
6.
If I Could Turn the Clock Back (Lyrics from the Canadian Soldiers’ Songbook. Author unknown) If I could turn the clock back only one year If angry words could be forgotten too When sleeping or waking, my heart is aching I think of nothing in this world but you I miss those nights of gladness, days of joy And all those blissful moments ever, dear I dream of all the hours that would be ours If I could turn the clock back a year
7.
THIRTEEN PENCE (Traditional) Come lads, come Come lads, come Come to the battlefield March, march away Come and lose your eyes and limbs For thirteen pence a day Remember we are soldiers lads The bravest of the brave Come and be a soldier, lad Then you’ll be a slave. Come lads, come Come lads, come Stand before the Colonel, lads But don’t you dare to cry For if you’re not happy lads They can flog you ‘till you die Come lads, come Come lads, come Come to the battlefield March, march away
8.
Where Do We Go From Here, Boys (Lyrics from ‘In an Old-Fashioned Town’ by Ada L. Harris and ‘Where Do We Go From Here’ by Percy Wenrich/Howard Johnson) There’s an old-fashioned house in and old-fashioned street In a quaint little old-fashioned town There’s a street where the cobblestones harass the feet As it straggles uphill and then down And through to and fro through the world I must go My heart while it beats in my breast Where-ever I may roam to that old-fashioned home Will fly back like a bird to its nest Burn a light, in the night Keep the fire burning still Till I make it back home In that old-fashioned house in that old-fashioned street Dwell a dear little old-fashioned pair I can see their two faces, so tender and sweet And I love every wrinkle that’s there I love every mouse in that old-fashioned house In the street that runs uphill and down Each stone and each stick, every cobble and brick In a quaint little old-fashioned town Burn a light (in the night!), in the night (take me home!) Keep the fire burning still Till I make it back home (till the day that I roam!) Where do we go, where do we go, where do we go from here, boys Leicester Square, Greenwich Pier, whisper in her ear, boys And there’s roses that shine in Barkingside but never a rose like her, boys And roses may die in the summertime but never the one in her eyes (oh!) Burn a light (burn a light!), in the night (in the night!) Keep the fire burning still (let me go!) Take me home (take me home!) Down the road a-winding The road without turning my heart is a-yearning And burning without you Till I make it back home Whizz bang! Pipsqueak! OO-plonk! Sst! Up the ladders! Over! And carry on with it Till I make it back home! Whizz bang! Pipsqueak! OO-plonk! Sst! Up the ladders! Over! And carry on with it Till I make it back home! Where do we go, where do we go, where do we go from here And through to and fro through the world I must go My heart while it beats in my breast Where do we go, where do we go, where do we go from here boys
9.
(After Loos) 00:51
After Loos (Lyrics from ‘After Loos’ by Patrick MacGill and ‘Stand to Your Glasses’ by W.F. Thompson) Was it only yesterday Lusty comrades marched away Now they're covered up with clay Seven glasses used to be Called for six good mates and me Now we only call for three So stand to your glasses steady This world is a web of lies Here’s to the dead already And to the next man who dies
10.
THE NEXT MAN WHO DIES (Lyrics from ‘Stand to Your Glasses’ by W.F. Thompson) We meet ‘neath the sounding rafters And the walls around are bare As they echo to our laughter Would seem that the dead were there Time was we frowned on others We thought we were wiser then But now let us all be brothers For we never may meet again So stand to your glasses steady This world is a web of lies Then here’s to the dead already And hurrah for the next man who dies Cut off from the land that bore us Betrayed by the land we find The good men have gone before us And only the dull left behind Here’s an end to this mournful story For death is a distant friend So here’s to a life of glory And a laurel to crown each end So stand to your glasses steady This world is a web of lies Then here’s to the dead already And hurrah for the next man So stand to your glasses steady This world is a web of lies Then here’s to the dead already And hurrah for the next man who dies And hurrah for the next man who dies
11.
Death & Autumn (Lyrics from ‘In the Morning’ by Patrick MacGill) Where death and autumn held their reign Like banded ghosts in the heavens’ grey The smoke of powder paled away When the charge was done The shell-scarred stone and broken tile Littered the chancel, nave and aisle The east grew pale to another fire When the charge was done
12.
Bombed Last Night (Traditional) Bombed last night, bombed last night, and bombed the night before Going to get bombed tonight if we never get bombed anymore When we're bombed we're scared as we can be Can't stop the bombs sent from Germany Bombed last night, bombed last night, and bombed the night before Gassed last night, gassed last night, and gassed the night before Going to get gassed tonight if we never get gassed anymore When we're gassed we're sick as we can be For phosgene and mustard gas is too much for me Gassed last night, gassed last night, and gassed the night before They're over us, they're over us One shell hole just for the four of us Thank your lucky stars there are no more of us Cause one of us could fill it all alone Bombed last night, bombed last night, and bombed the night before
13.
Never Mind 03:26
Never Mind (Lyrics from soldiers’ parody of Never Mind by Harry Dent/Tom Goldburn) If the sergeant steals your rum, never mind If your face may lose its smile, never mind Though he's just a noisy sot, you can let him have the lot If the sergeant steals your rum, never mind If old gerry shells your trench, never mind And your face may lose its smile never mind Though the sandbags burst and fly, you've only once to die So if old gerry shells your trench, never mind Never mind, never mind, never mind, never mind Never mind, never mind, never mind, never mind If your mate just lost his sight, never mind And he screamed the whole damned night, never mind Though they'll send him home it's tough, he'll be great for blind-man's bluff So if your mate just lost his sight, never mind Never mind, never mind, never mind, never mind Never mind, never mind, never mind, never mind If the sergeant says you're mad, never mind Perhaps you are a bit, never mind Just stay calm don't answer back, for the sarge he takes no slack If the sergeant says you're mad, then you are Yes you are, yes you are, yes you are, yes you are Yes you are, yes you are, yes you are, yes you are
14.
(Matey) 02:05
Matey (Lyrics from ‘Matey’ by Patrick MacGill) I'd sooner the bullet was mine, matey Goin' out on my own Leavin' you there in the line, matey All by yourself, alone Friend of mine and you're dead, matey And this is the way we part The bullet went through your head, matey But God, it went through my heart

about

Trench songs were written by frontline soldiers during WW1. Essentially protest songs, they were often parodies of well-known tunes. We’ve rewritten new melodies and music for these words in order to more readily access the emotional content of the lyrics, and to continue folk music’s long tradition of reshaping songs over time -- the same way soldiers reshaped these songs in the trenches. The album’s dedicated to all WW1 soldiers who wrote, played, and sang these songs. We think of them when we sing, and hope you do too.

credits

released November 10, 2020

Produced & Mixed by Tom Dobrzanski at Monarch Studios (Vancouver)
Mastered by Harris Newman at Grey Market Mastering
Album Design and Layout by Rose Broadbent
Fugitives.ca

Music by Adrian Glynn & Brendan McLeod
Arrangements by The Fugitives
Lyrics from WWI soldiers’ song and poems (as noted)

The Fugitives are:
Brendan McLeod: vocals, acoustic guitars, ukulele
Adrian Glynn: vocals, acoustic/electric guitars, bass, harmonica, balalaika
Carly Frey: vocals, violin
Chris Suen: vocals, banjo, ukulele

With:
Brian Nesselroad: percussion
Marlene Ginader: additional violin
Martin Fisk: additional percussion
Socially Distanced Gang Vocals: Lucia Misch, Jon McMorran, Eleanor Stewart and Ryan Parfitt

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The Fugitives Vancouver, British Columbia

Formed in Vancouver in 2007, The Fugitives are a folk collective headed by songwriters Brendan McLeod and Adrian Glynn. The band has toured extensively in Europe & Canada, won multiple folk music awards and released 5 critically-acclaimed albums. Their latest release, Trench Songs, sets new music to soldiers' lyrics from WW1 and was accompanied by a theatrical performance film entitled 'Ridge". ... more

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